No Where To Run
When BRAVO is assigned to secure a bridge right after losing many men in a surprise ambush, our men are weary, worried and wondering what it’s all about. PERCELL, who just received a "Dear John" letter, is on edge when the bridge gets blown with some of our men and trucks on it.
In search of the enemy, Percell shoots and accidentally kills an 8-year old boy. His anguish over the incident is compounded by the that the boy’s infant brother is dying of various causes, and Doc Matsuda is unable to save him. Goldman arranges for Doc and Percell to escort the baby and his mother to the Evacuation Hospital. There ,Goldman is reunited for a brief afternoon, with an old flame, LT. NURSE NIKKI RAINES.
Director: Randy Roberts Writer: Rick Husky
| Ed Monaghan | Hazzard |
| Pamela Gidley | Lt. Nikki Raines |
| Tony Colitti (see below) | Ercolani |
| Dung Nguyen | Vietnamese Women |
| Bob Whiting | Chaplain |
| Thao Thi Nguyen | Mama-san |
| Sylvian Cho | Vietnamese Girl |
| Steve Cohen | Intelligence Officer |
| Scooter Kindle | Corpsman |
| William Le Bus | Doctor |
| Ric Groenendal | Crewmember |
| Clyde R Jones | Clyde Edwards |
Additional information from Tony Colitti - Pvt. Ercolani
"The job happened so quickly, it’s really
all a blur. (But that could just be my old brain getting older.) I do
remember being so excited about getting to work on such a hit show, as
well as flying to Hawaii! I arrived late evening, shot the entire next
day, then left early the next morning. Didn’t get to see much of
anything, having just enough time to pick up an ashtray to bring home to
my grandparents.
What I do remember was all the red mud and rain,
making everything a little miserable. And quite frankly, I also remember
an assistant director who acted like a big jerk. During the scene after
I was hit by the claymore, one of the other guys in the bunker opened
fire on the enemy with the M60. I was like 2 feet away from it, and I
politely asked for a set of earplugs.
The AD
ridiculed me, yelling out to the entire crew that I was holding things
up because I needed ear protection. Wasn’t my fault that they were
behind that day.
The good parts that I remember were all the great guys on that set. They
were so nice and welcoming, and I got the feeling that they were really
grateful for the gig. They were all telling Tony Becker that this was
his Emmy episode, because of the emotional rollercoaster he had to ride
in his scenes. "
